We spoke with Peter Parker Brodhead of Parkerism Video Labs about a recent interactive stage installation the team built entirely in TouchDesigner to showcase the work of fashion designer Mary Benson and musician Kilo Kish at New York Fashion Week.
credits Ali Phi: real-time visuals, processed guitar sounds Sohrab Motabar: real-time audio coding Sina Shoaie: real-time music Hauntingly beautiful real-time audiovisual performance from Ali Phi aka Elamaun (real-time visuals, processed guitar sounds), Sohrab Motabar (real-time audio coding) and S
We caught up this week with the accomplished trans-disciplinary artist Matthew Biederman who participated in our MUTEK 2012 workshop and has since adroitly incorporated TouchDesigner into his performative and exhibited works.
ACO VIRTUAL is a ground-breaking, world-first interactive experience that enables new audiences to get up-close and personal to the Australian Chamber Orchestra (ACO), to appreciate the sounds intimately, to perform a live-mix and to even play along with the musicians.
S O L A R I S FROM ODAIBE Music: cliff martinez - first sleep Bartek Szlachcic lives in Wroclaw, Poland and is a graphic designer and electronic music producer interested in visualizing sound with experimental tools.
Stanislav Glasov came through with this, his words, "rough" (we don't find it so) video documentation in time for our review of Week01 2014.
DROMOS Dromos is a Live audio visual performance created by composer Fraction and visual artist Maotik, designed for immersive environnement, developed in the satosphere, at the Société des Arts Technologiques, for Mutek festival in 2013. Their duo is known as Les Creatures.
The void Panoramic interactive projection, 4.0 surround sound TUNDRA Collective, Saint-Petersburg, Russia The Void is an attempt to visualize the idea of emptiness where emptiness is not regarded as absence but as an initial state where anything can appear.
'Perception of Consequence' is an installation by Kamil Nawratil that places a custom-fabricated wave-like structure within the space as a 3D surface for the stereoscopic projection of fluid form animations (pictured above).
