Organised by The NODE Institute, and supported by Derivative, B-dome and PlusPlusOne, the NODE SESSIONS continue the legacy of the TouchDesigner Roundtable—broadening the focus beyond a single platform to explore the full spectrum of creative software workflows.
https://thenodeinstitute.org/courses/ws24-td-06-data-visualisation/
The TouchDesigner community is expanding across various industries, including brand activations, interactive installations, fashion shows, and more. In this blog, we’ll highlight several TouchDesigner-based art collectives and creative studios making significant contributions to the art world.
Come join us for a mind-blowing experience and enjoying Japanese craft beer! Immerse yourself in a world of cutting-edge audio and visuals live with art installations in Omotesando, TOKYO. You can select 2 bottles of craft beer from COEDO brewery.
Jack DiLaura walks you through creating a photomosaic visual effect in the style of Ken Knowlton’s pioneering artworks in TouchDesigner. You’ll utilize instancing, 2D texture arrays and image processing to achieve the effect.
Calling all TD users to join in a night of discussion, project-exploration and networking. 20-30 minute TouchDesigner project shares here in Vancouver, BC.
TouchDesigner Roundtable XXXII Organized by The NODE Institute, the TouchDesigner Roundtable Berlin is the meeting point for creatives and developers who work with the visual development platform TouchDesigner as well as everybody who is curious about the world of interactive media art and the peop
Yayoi Kusama is a Japanese contemporary artist who works primarily in sculpture and installation. In this continuation of our TouchDesigner artist-inspired series, Crystal Jow will take you through Metaball SOPs and texturing to create a fun, generative look.
Lillian F. Schwartz is a pioneering artist known for her experiments with computer-generated and computer-assisted art starting in the 1960s. In this video, Jack DiLaura walks you through creating a feedback-based visual effect inspired by Lillian Schwartz’ 1975 film “Kinesis”.
