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Mais où ? — Live generative performance between piano and image

Mais où ? is a live audiovisual performance developed in TouchDesigner, where visuals are not pre-rendered or triggered, but performed in real time alongside a pianist.

The system establishes a bidirectional relationship between sound, gesture, and image. Rather than mapping audio to visuals in a reactive way, the structure is built as a continuous negotiation: intensity, timing, and articulation from the piano influence a generative visual field that remains unstable and non-repeatable.

The piece premiered at the Video Mapping Festival (Lille), in the atrium of the Palais des Beaux-Arts, across a series of live performances.

Technical Overview

  • Real-time generative system built in TouchDesigner (no pre-rendered sequences)
  • Hand tracking using Torin Blankensmith’s MediaPipe–TouchDesigner integration→ captures detailed finger positions over the keyboard in real time
  • Custom interpretation layer combining:
    • finger position relative to piano keys
    • temporal movement of the hands
    • inferred intensity (from motion + audio)
    • intentional use of non-tracking / loss of signal as part of the system
  • Rather than mapping notes directly, the system reconstructs an interpretation of gesture and intensity:→ no MIDI, no discrete note triggering→ continuous, probabilistic reading of performance
  • Visual generation driven by this interpretation:
    • gesture → spatial influence
    • intensity → deformation, scale, and energy of the system
    • instability (tracking gaps, ambiguity) feeds into visual variation
  • Designed for live performance constraints:
    • variable lighting and occlusion
    • non-deterministic input
    • need for continuous, resilient output

The result is a system that does not “react” to notes, but translates the physical act of playing into a shifting visual field.

 

 

Artistic Approach

This project was initiated within a writing residency, where the conceptual framework was developed, followed by three months of prototyping leading into two nights of performances (five per evening).

It marks a shift from building interactive systems for audiences to performing the system itself.

The visual layer is treated as an instrument:not illustrating the music, but existing in tension with it.

The work explores:

  • instability as structure
  • loss of control within a constrained system
  • co-authorship between performer and machine

Each performance produces a different visual trajectory, shaped by the pianist’s interpretation.

 

Credits

Visual system & direction: Ruby-Maude Rioux

Piano: Frédéric Volanti

 

 

Project page : https://www.rubymaude.com/interactive/mais-ou

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